Lack of data on popular transport enables official invisibility of (these) mobility systems in planning (…) Rallying against this, a ‘digital commons’ movement has emerged in support of better transport planning globally. This movement leverages the digital revolution to build high-quality, open and standardised public transport data for planning, information services and as the basis for moving towards a new mobility paradigm. Within this paradigm, the ability to access a wide suite of high-quality mobility options via a mobile phone becomes a more compelling ideal of freedom than simply owning or using a car. This transition to freedom of movement by not owning a car but accessing and paying for a choice of multiple transport modes via mobile-phone technology is a key step towards more equitable, clean, safe and low-emissions cities (…) with this vision, civic activists (hackivists) are using basic GPS-enabled mobile phones and other technologies to build high-quality, standardised data for public transport including dominant popular transit modes. This data is made open and shared widely to improve understanding and discussions of how to improve transport planning and build passenger information systems, the stepping stones to a new mobility paradigm (…) The Digital Matatus map and data allow us to see a critical part of Nairobi’s circulatory system (…) Evidence is growing that this kind of trip-planning information can help people make more efficient trips and, when coupled with real-time information, reduce waiting. This, in turn, improves the way passengers interact with and feel about public transport.
“Experimenta Distrito” launched by Media Lab-Prado is a programme involving citizens in neighbourhood workshops hosted in the spaces of La Nave, libraries, social and cultural centres (site in spanish only: https://www.experimentadistrito.net/ )
This is one of the many initiatives taken by the mayor of Madrid in promoting the city as a warm and welcoming place as he described them in DOMUS and his interview with Manuela Carmena.
La Nave: Located in Villaverde, a district on the outskirts of Madrid, La Nave Böetticher was once a lift factory owned by the Böetticher company. An industrial building from the 1940’s refurbished for use as a public facility by Madrid City Council, and inaugurated in 2016. La Nave is dedicated to entrepreneurship and innovation and hosts a great number of activities and events related to the promotion of new technologies, technical dissemination, training, and employability. Characterized by a central open-plan space covered by a large barrel vault and a skylight, the refurbishment preserved certain historical elements as decoration and added vertical latticework inspired by the colors of fiber optics to the concrete façade. Its main areas are the Pavilion, the Tower, the Classrooms, the Auditorium, and the Containers. The building has thermo-solar and geothermal energy; it collects rainwater for watering, and it features a roof garden. The roof offers a panoramic view of the Villaverde neighborhood. (http://www.lanavemadrid.com/ )
I just heard of this today on a tv documentary, I wish I could visit. The centre covers a vast rural area one hour north of Manhattan. It was established in 1960 by Ralph E. Ogden and its collection has been growing ever since. The image above, belongs to one of the most prominent works -in my opinion- of Menashe Kadishman and his 1977 collection “Suspended”:
With no visible evidence of the engineering holding the sculpture up, Suspended prompts contemplation of the relationship between its two conjoined, towering masses, coupled with questions about what lies below ground. Rich and rusted, the patina of the weathered steel wraps the stark geometric shapes in a skin-like sheath.Excerpt from The Storm King Art Center webpage
The center also accommodates many of the works of Mark di Suvero, among which “Mother Peace” (image below), a work completed just before Di Suvero left the US to protest against the war in Vietnam.
This was captivating! Professor Michael Scott in collaboration with
ScanLAB Projects uncover the subterranean infrastructure of Roman cities such as: Naples, Venice, Rome and Florence. I’ve just watched the Naples episode: Scott visits a series of the city’s underground tunnels and follows how the volcanoes’ eruptions have altered the city’s morphology.
High-precision laser-beam is used to read solid surfaces and, rather than building up an entire 3D model, it processes this image of an area as a series of points that make an overall cloud of how an area appears (…) 3D images are made possible using FARO 3D scanning equipment. The resulting point-clouds are also used for 3D virtual reality experience that can be viewed on the BBC website in browser or through a VR headset
Beau Jackson article
The images and the VR is breathtaking. Especially the ones retrieved from underwater. Image 2 belongs to the visual reconstruction of an ancient Roman villa that has been submerged. These were made possible through 3d scanning during an underwater dive to its remains. A must watch.
Article discusses the efforts of Prof. Williams in UCL in promoting the ideas and practices of the Circular City by establishing UCL’s Circular Cities Hub in 2016.
A book is to be expected in 2020 entitled “Circular Cities: A Revolution in Urban Sustainability” by Williams that will be published by Routledge.
Part of this has involved viewing cities holistically. This means not just looking at resources, but seeing urban areas as organisms that constantly adapt to changes, such as migration and increasing diversity, as well as considering different trajectories of development, from shrinking, post-industrial cities such as Detroit, to places like London, where corporate and foreign investment is squeezing out lower-value, circular activities.
(One Architecture in collaboration with BIG Group and Sherwood)
Islais Creek is an historic watershed in Southeast San Francisco. This is an historically industrial area once home to a verdant, marshy watershed since channelized and home to heavy industry and logistics which support the entire city of San Francisco.
By densifying existing industrial and logistical activities, softening shorelines and daylighting a section of the creek currently decked over, the BIG + ONE + Sherwood team sought to reorient the city’s relationship to its historic waterfronts as a vital element in its recreational and industrial economy.
The six pilots arrived at by the design team respond to these concerns and more, proposing the creation of accessible open space with integrated green-blue infrastructure, a food district, vastly improved transportation systems, waterfront access, waste processing, stacked and decked residential and commercial space, and other phaseable short-term solutions to climate and urban risks.
This has made me think of xAPI and Learning Record Stores. And then, right at the end of the page, I bump into the concept of community yet again (!). I read:
Ubiquitous Commons allows for attributing citizens control over the data which they produce, and also to generate shared, meaningful patterns of perceived sensibility and responsibility, by enabling novel reflections in terms of identity, relation and belonging.
These can be used to foster new practices in which a new concept of digital public space emerges, which is accessible and inclusive, and also respectful of people’s right to self-determination and self-representation and, thus, to be able to more freely express our subjectivities, as individuals and as participants to multiple relational networks, cultures, belief systems. From consensus to co-existence.
Ubiquitous Commons is the commons in the age of Ubiquitous Technologies.
Ubiquitous Commons is a legal-technological protocol: it positions itself among the other technological protocols which operate at the level of networks and technologies and among their legal implications and the set of laws, regulations, standards and norms which regulate them. Ubiquitous Commons is an open protocol.
In the Ubiquitous Commons environment, users can define a series of identities, which they hold and manage in what we have defined as their identity pool; each identity corresponds to a digital certificate, composed by a private and public key; identities can be of different types: individual/ collective/ anonymous/ temporary/ nomadic/ or a combination of the above.
Whenever a certain user generates data, this data is encrypted; the encrypted data is coupled with an attribution, stating which Ubiquitous Commons identity generated it (from), and which Ubiquitous Commons identities can access the data (to); this attribution is generated by the “from” identity; the encrypted data goes on to the service or application for which it was generated for; the attribution goes on to a peer-to-peer network or infrastructure –currently the BlockChain – in which the identifiers of the content (data) and of the from-to identities are published; in this way, the user can grant the availability and access to this data to the specified identities, determined autonomously.
A user who desires access to the data, executes a query onto the peer-to-peer infrastructure, asking whether data identifier X has been granted access to the user’s Ubiquitous Commons identity (the “to” identity in the attribution, picked from one of the identities in the accessing user’s identity pool) by the generating user (the “from” identity); if the user turns out to be attributed with the possibility to access (the query returns a positive result), the user obtains the decryption mechanism (recomposing the private key necessary to decrypting the data); the user uses the decryption mechanism to decrypt and access the data; the transaction is logged onto the peer-to-peer network.
Excerpts and Image from Ubiquitous Commons Website